Saturday, 23 February 2013

Ride on the carousel

Last week end, I wanted to paint but didn't fancy braving the cold outside so I was looking for inspiration for a studio piece. I suddenly remembered a lovely carousel picture a friend of mine posted on Facebook (with her mother and child having a ride). I decided to have a go at it and obviously asked for her permission. I decided to have fun with the colours and keep it loose. Here is the result:

Ride on the carousel  9"x16"    oil on board  

Here is below the original photograph. What caught me eye was the combination of colours, the lovely lights of the carousel, the movement of the scene, the interesting composition, the presence of the people, and the light of the trees and sky shining through in the background. Quite unusually, I decided to keep the format as it is and didn't apply any cropping:


Original photograph

Before starting the painting, I decided to apply some photoshop filters to the photograph to try to simplify the colours, drawing and values. When working outside you are forced to make quick decisions, but when working in the studio it is easy to end up putting too many details so that's why those filters can help:

filter 1

filter 2

Afterwards I applied a grid to the photograph and reproduced the same grid on my canvas in order to transfer the drawing easily.




I then started blocking in the canvas with colours to quickly cover the whole canvas and define the values and relation between colours:



And here is the final result:





Detail


Detail


Detail

Monday, 18 February 2013

London Venice show

I have just got back my Venice paintings from the framer and they will now be sent to London for a special Venice show at [mine] gallery that will run during the whole month of March. I'm very excited and honoured to be a part of what promises to be a fantastic show! 




Here are the details of the show:

[MINE] GALLERY
30-34 High Street, Carshalton, London borough of Sutton, Surrey, SM5 3AG 
020 8647 1800

EXHIBITION DATES

Private view: 6-8pm Friday 1 March 2013 in Gallery 01
Open to public: 10am Saturday 2 March 2013

Closes:  4pm on Saturday 30 March 2013
Exhibition catalogue: Available to download during show

OPENING TIMES 
10am until 5pm: Monday, Tuesday and Friday
Late night from 10am until 8pm: Thursday
10am until 4pm: Saturday and Sunday
Closed: Wednesday

Car park: Directly opposite gallery on high street

RSVP VIP If you would like to join the mailing list for the gallery 
and receive invitations to our private views 



Please contact Andrew at [mine] on 020 8647 1800 
or click here to sign up to the mailing list online.






Here are below my paintings that will be included in the show. Don't hesitate to contact the gallery if you are interested in a particular painting or if you wish the receive the full catalogue.


Detail of San Marco Basilica 8”x10” oil on board

Fish Market, Venice 9”x12”  oil on board 

Salute Maria della Salute from the Accademia bridge in the fog 9”x16”  oil on board 

Verrocchio - Bartolomeo Colleoni, Campo dei Santi Giovanni e Paolo  12”x9”   oil on board  

San Marco Basilica in the rain, late afternoon 9”x12”  oil on board 

View from the Ponte dei Pugni  8”x10”  oil on board 


View accross the Canal from Fondamenta Dogana alla Salute  10”x8”  oil on board 

The Accademia bridge at night  7”x10”  oil on board  

Shops at Piazza San Marco   10”x12”  oil on board

Piazzetta in the morning 2  7”x10”   oil on board 

Sunday, 27 January 2013

Snow snow snow!

Last week we were blessed with snow in Bath - I know it is not a blessing for commuters trying to get to work, but it is heaven for painters! Obviously painting in the snow means braving the cold and losing a finger or two, but it's so worth it!

I couldn't take the car or the bike as the roads were slippery so I went painting just around the corner from my house in Oldfield Park in Bath. I moved here in November and I'm still exploring the area for painting spots which is very exciting. I found a little alley with a beautiful view over Bath and I liked it so much that I ended up doing 3 little paintings at the same spots (over two days) to show the change of light. Here is below the study I did in the morning:

Claude Vale, Bath, in the snow, morning   10"x8"  oil on board


Snow is so great to paint because it reflects light in a beautiful way. What one would think is simple white is actually a multitude of colours, highlights and shadows that turn the ground and shapes into beautiful sculptures. More true than ever, painting at the scene is almost essential because the camera doesn't always capture those subtleties. 




Here is my set up towards the end of the session. As I packed up, my clumsy old self managed to drop the painting face down in the snow! That's what I call really "getting a feel of the place and putting this on the canvas". Fortunately it dried up when I returned home...




Detail


Here is below my second painting of the same view, done in the late afternoon/early evening, when the light was disappearing and the city lights were showing up:

Claude Vale, Bath, in the snow, evening   10"x8"  oil on board


My painting after around 45 minutes


Detail1

Detail2

Finally, I did a final painting making the most of the last minutes of light before it was completely dark. This was really a race against time and I could hardly see anything. I painted the same tree but this time showed the view on the left.  Just for a few minutes there was that amazing intense blue light in the sky so I rushed putting it on the canvas. Shortly after this, it was pitch black. 

Tree in the snow, Claude Vale, Bath, evening   7"x10"   oil on board


Detail


Here is below a painting of a street just around the corner where I live. I loved effect of the snow on the roofs and cars and the lovely purple view in the distance:


Dartmouth Avenue in the snow, Bath   10"x7"  oil on board

My painting towards the end

Detail


Finally, here is a bigger painting made on park just at the end of my street which is a cul-de-sac. It was a bit of an adventure getting there as the road leading to the park is rather hilly and very slippery - most of the time it felt more like iceskating than walking. Add the challenge of carrying a painting kit and a wet painting on the way back and one might start feeling like an adventurer on a mission!

The view from the park was beautiful and the families playing in the snow added a lively touch to the scene.

(Apologies for the painting image below overlapping on the right, but I wanted to show it big enough to be able to see the details. As usual you can click on the image for full view)

First snow, late afternoon at the park on the top of Ivy Avenue   9"x16"  oil on board

Below you can see my set up towards the end. When I left the light had completely gone:




Detail1

Detail2


The snow has now melted so I'm now already looking forward to spring with its longer and warmer days and its variety of beautiful greens!

Friday, 18 January 2013

Landscape in Belgium

A friend of mine recently posted a picture on Facebook of a sunny path in the Belgium countryside and I automatically wanted to paint it. So, after her permission, here is below the quick study I did. I kept it lose and spontaneous and tried to capture the essence of the scene:

Landscape in Belgium  10"x8"  oil on board

Below is the original photograph which I cropped to adjust the composition:

copyright Delphine Simon


Detail


On an other note, I went to London this week with other painting pals to see the amazing show of one of the best plein air painter alive to my opinion, Ken Howard. It was a show of 80 paintings at Richard Green Gallery to celebrate his 80th birthday and the work was simply stunning. (click here for the catalogue

It was also the launch of his latest book "Howard's Switzerland" which is a painting journey retracing the footsteps of Turner.  (click here for more info)

We had the chance to meet Ken and his lovely wife Dora (thanks Adebanji Alade for the picture!):

Left to right: Roy Connelly, Ken Howard OBE RA, Tim King, Dora Bertolutti Howard,
unknown, Haidee-Jo Summers, David Pilgrim ROI, and myself

This really inspired me to go back at the easel and become the best painter I can... Let 2013 be the best painting year so far!

Sunday, 13 January 2013

Pregnant Life Model and blue cushion

Here is a nude I painted last year at the Bath Artists Studios. We were blessed with our usual model which this time was showing beautiful new curves due to her pregnancy.


Pregnant Life Model and blue cushion  12"x16"  oil on board




The painting after half an hour


Detail

 I really enjoyed this session and hoping to get the chance to paint more life models in 2013. Best wishes for the model which I understand is due to give birth very soon.

Monday, 31 December 2012

Venice - Day 5 & 6

I hope you all had a wonderful Christmas time. Here my last post about my recent trip to Venice with six paintings done in my last two days. (Click here if you have missed my first post and second post). 


DAY5:

The fog was still there so we made the most of the magical touch it brought to Venice. In the morning, Haidee and I decided to tackle the Salute from the Accademia Bridge. Here is the result:


Salute Maria della Salute from the Accademia bridge in the fog     16"x9"  oil on board

Here is my set up just as I was about to start:


As I was painting, I saw someone waving at me from the waterbus; it was fellow painter Tim King who was about to join us on the bridge to paint.



Detail

The painting at the end of the session


Afterwards, Haidee and I decided to head to San Barnaba which offered many painting opportunities. Here is the little painting I did on the spot. I loved painting the gondola and observing people in the square:


View from the Ponte dei Pugni   10"x8"   oil on board

For this painting we set up again on a bridge, much smaller than the Accademia Bridge so we tried to take as little space as possible and not disturb people. It seemed locals tend to use the right side of the bridge to go one way and the left to go the other way, just like a two ways road. I remember an old lady crossing the bridge that looked at us with complete indignation as she realised she had to change her usual route and cross the bridge on the left side instead as we were on her way. I think she was literally about to call the police! 


Haidee and I in action


Detail


My painting towards the end

After a delicious hot chocolate at the café next door, Haidee and I set up for a last painting on an other bridge just around the corner. I know, 3 bridges set up a day seems like a lot but really we just couldn't get enough of disturbing people by standing in the way!

What caught our eyes was the amazing light of the vibrant Venetian red buildings creating great reflections in the water. Here is the result:

Bridge near Campo San Barnaba   10"x7"  oil on board

The original picture below doesn't truly show the beautiful light as it was taken when the sun had gone:



As we were painting, a tourist shouted at his friend "Look! Picasso painting!". Then he came closer to have a better look at the paintings and turned around with a disappointed look on his face to rectify to his friend "No Picasso". It would be rude if it wasn't so funny...


Detail


The painting towards the end 


DAY6:

On the last painting day, we were greeted by a beautiful sunrise and the view towards the Piazetta was the perfect spot to capture this magical moment. Here is my little study of the place: 


Piazzetta in the morning 2   10"x7"   oil on board


The painting towards the end

Haidee and I were standing on those tables already set up for the high tide. As we were painting the water started to cover the low parts of San Marco Piazza but didn't quite reach us. Still, the excitement was enough to make us feel like we were courageously braving the elements for the sake of our Art!




Detail




Afterwards, to reward ourselves for our efforts, Haidee and I decided to treat ourselves to a nice cup of hot chocolate at the famous Café Florian on San Marco Piazza. I know we had many hot chocolates during this trip, but this was something special... I can't stop thinking about it!

After the luxurious Café break, we went for a hard transition for our next painting with the smelly fish market! I had been meaning to paint there all week so this was our last chance. Unfortunately we arrived a bit late as they started packing up when I was just starting to paint. I decided to give it a go anyway and managed to do a little study in less than an hour:


Fish Market, Venice   12"x9"   oil on board


Below you can see my set up amongst the buckets of seafood. My feet were swimming in a pond of smelly fishy water. I had to bin my lucky painting cloth after it fell on the floor - no washing machine would have got that smell off! Still, this was worth it, this place is so vibrant and full of life - a real treat to paint!




This was really a race against time but it was really fun and I think this rush probably pushed me to keep things fresh and spontaneous. 




Detail


After this I had time only for one last painting before the light had gone so I headed back to San Marco with fellow painter Stuart Fullerton. It was raining so we took shelter underneath the alcoves at the end of the square. The rain made lovely reflections on the pavement and the people with umbrellas brought colours and movement to the scene.

San Marco Basilica in the rain, late afternoon   12"x9"   oil on board

This was the scene as we arrived:



But the light was disappearing fast and half way through the painting I had to put my fashionable head torch on to complete my silly hat look.



The rain became stronger and was now reaching my painting so what started as an oil painting turned out to be more like a watercolour! It became very dark quite soon so I had to call it a day.




Detail

The day after we were on our way back to the airport - here is a picture of the four of us posing in San Marco Piazza before heading back. It was high tide so the whole Piazza was flooded.


Tim King, David Pilgrim, Haidee Jo Summers and myself





What a great trip it was. I hope I'll be there soon to paint again. I wish you all a fantastic year 2013! 


My paintings are available for sale directly from me or through a gallery and can be shipped worldwide. Prices depends on size and subject and generally range from £100 to £500. Please email me to check prices and availability at valpirlot1@hotmail.com