Tuesday, 12 March 2013

Bath views from Oldfield Park

Here are a couple of winter scenes I painted just around the corner from where I live. I'm loving those views over Bath and the warm and cool tones of winter landscapes.

Bath views from Oldfield Park   12"x10"  oil on board 

The painting above was done in a local playground but there was hardly anybody around because it was such a cold day. I picked a composition that included the views, the trees, the foreground grass and the swirly path that leads the eye of the viewer.




It was a beautiful sunny day but every now and then a big cloud would cast a shadow on the distant views of the city so I decided to "freeze" this moment on my painting: 

detail

I like the idea that small parts of my paintings can be treated as abstract work:

detail

Below is painting done on an other day on the top of my street. This is the same view as one of my snow painting if you remember (click here to see it). 


Bath views from the top of Ivy avenue  16"x9"  oil on board



There was a lovely pink light and the houses in the distance in Bath stone really caught the sunlight. I was really cold when I painted this and at some point towards the end I couldn't carry on so I rushed back home and added the last details from memory from the warmth of my studio...


detail


Thursday, 7 March 2013

Impressions of Venice opening night

Last Friday I went to the private viewing of the Venice show "Impressions of Venice" at the Mine Gallery in Carshalton, London. I had a great time. It is a beautiful show and I'm very proud to be a part of it. Here are all the details about the show which will run until the end of March:


All paintings are for sale and can be viewed on the online catalogue in the link below:


Here are some pictures of the evening:


Karl Terry's large painting stands beautifully in the middle of the wall arrangement 




Me and my mum who accompanied me to the evening 


Some of my paintings

And some more


Tim King in front of his masterpieces

Andrew Candy from the Mine Gallery chatting with Tim and I  


Lovely work from David Bachmann on the left and John Stillman on the right


Chatting with the painter Paul Aps -
we knew each other from Facebook but it was the first time we met for real!





In great conversation with the painter John Stillman
and Art lover Wiesia Janina Cook-Bownas


Lovely paintings from Haidee-Jo Summers



Mixed work from John Stillman, myself and others



I loved this painting at the top from Derek Daniells

I loved the nocturne at the bottom by Roy Connelly

To finish this post, here is a great video done by fellow painter Roy Connelly who was in Venice last November with us and put together this film to show what a great trip it was. It comes from his blog www.royconnelly.com/blog and he kindly let me use it here.





Artists on the film that are in the show are:
David Bachmann
Roy Connelly
Tony Dakin
Tim King
Valérie Pirlot
Michael Richardson
Haidee-Jo Summers
Karl Terry

Saturday, 23 February 2013

Ride on the carousel

Last week end, I wanted to paint but didn't fancy braving the cold outside so I was looking for inspiration for a studio piece. I suddenly remembered a lovely carousel picture a friend of mine posted on Facebook (with her mother and child having a ride). I decided to have a go at it and obviously asked for her permission. I decided to have fun with the colours and keep it loose. Here is the result:

Ride on the carousel  9"x16"    oil on board  

Here is below the original photograph. What caught me eye was the combination of colours, the lovely lights of the carousel, the movement of the scene, the interesting composition, the presence of the people, and the light of the trees and sky shining through in the background. Quite unusually, I decided to keep the format as it is and didn't apply any cropping:


Original photograph

Before starting the painting, I decided to apply some photoshop filters to the photograph to try to simplify the colours, drawing and values. When working outside you are forced to make quick decisions, but when working in the studio it is easy to end up putting too many details so that's why those filters can help:

filter 1

filter 2

Afterwards I applied a grid to the photograph and reproduced the same grid on my canvas in order to transfer the drawing easily.




I then started blocking in the canvas with colours to quickly cover the whole canvas and define the values and relation between colours:



And here is the final result:





Detail


Detail


Detail

Monday, 18 February 2013

London Venice show

I have just got back my Venice paintings from the framer and they will now be sent to London for a special Venice show at [mine] gallery that will run during the whole month of March. I'm very excited and honoured to be a part of what promises to be a fantastic show! 




Here are the details of the show:

[MINE] GALLERY
30-34 High Street, Carshalton, London borough of Sutton, Surrey, SM5 3AG 
020 8647 1800

EXHIBITION DATES

Private view: 6-8pm Friday 1 March 2013 in Gallery 01
Open to public: 10am Saturday 2 March 2013

Closes:  4pm on Saturday 30 March 2013
Exhibition catalogue: Available to download during show

OPENING TIMES 
10am until 5pm: Monday, Tuesday and Friday
Late night from 10am until 8pm: Thursday
10am until 4pm: Saturday and Sunday
Closed: Wednesday

Car park: Directly opposite gallery on high street

RSVP VIP If you would like to join the mailing list for the gallery 
and receive invitations to our private views 



Please contact Andrew at [mine] on 020 8647 1800 
or click here to sign up to the mailing list online.






Here are below my paintings that will be included in the show. Don't hesitate to contact the gallery if you are interested in a particular painting or if you wish the receive the full catalogue.


Detail of San Marco Basilica 8”x10” oil on board

Fish Market, Venice 9”x12”  oil on board 

Salute Maria della Salute from the Accademia bridge in the fog 9”x16”  oil on board 

Verrocchio - Bartolomeo Colleoni, Campo dei Santi Giovanni e Paolo  12”x9”   oil on board  

San Marco Basilica in the rain, late afternoon 9”x12”  oil on board 

View from the Ponte dei Pugni  8”x10”  oil on board 


View accross the Canal from Fondamenta Dogana alla Salute  10”x8”  oil on board 

The Accademia bridge at night  7”x10”  oil on board  

Shops at Piazza San Marco   10”x12”  oil on board

Piazzetta in the morning 2  7”x10”   oil on board 

Sunday, 27 January 2013

Snow snow snow!

Last week we were blessed with snow in Bath - I know it is not a blessing for commuters trying to get to work, but it is heaven for painters! Obviously painting in the snow means braving the cold and losing a finger or two, but it's so worth it!

I couldn't take the car or the bike as the roads were slippery so I went painting just around the corner from my house in Oldfield Park in Bath. I moved here in November and I'm still exploring the area for painting spots which is very exciting. I found a little alley with a beautiful view over Bath and I liked it so much that I ended up doing 3 little paintings at the same spots (over two days) to show the change of light. Here is below the study I did in the morning:

Claude Vale, Bath, in the snow, morning   10"x8"  oil on board


Snow is so great to paint because it reflects light in a beautiful way. What one would think is simple white is actually a multitude of colours, highlights and shadows that turn the ground and shapes into beautiful sculptures. More true than ever, painting at the scene is almost essential because the camera doesn't always capture those subtleties. 




Here is my set up towards the end of the session. As I packed up, my clumsy old self managed to drop the painting face down in the snow! That's what I call really "getting a feel of the place and putting this on the canvas". Fortunately it dried up when I returned home...




Detail


Here is below my second painting of the same view, done in the late afternoon/early evening, when the light was disappearing and the city lights were showing up:

Claude Vale, Bath, in the snow, evening   10"x8"  oil on board


My painting after around 45 minutes


Detail1

Detail2

Finally, I did a final painting making the most of the last minutes of light before it was completely dark. This was really a race against time and I could hardly see anything. I painted the same tree but this time showed the view on the left.  Just for a few minutes there was that amazing intense blue light in the sky so I rushed putting it on the canvas. Shortly after this, it was pitch black. 

Tree in the snow, Claude Vale, Bath, evening   7"x10"   oil on board


Detail


Here is below a painting of a street just around the corner where I live. I loved effect of the snow on the roofs and cars and the lovely purple view in the distance:


Dartmouth Avenue in the snow, Bath   10"x7"  oil on board

My painting towards the end

Detail


Finally, here is a bigger painting made on park just at the end of my street which is a cul-de-sac. It was a bit of an adventure getting there as the road leading to the park is rather hilly and very slippery - most of the time it felt more like iceskating than walking. Add the challenge of carrying a painting kit and a wet painting on the way back and one might start feeling like an adventurer on a mission!

The view from the park was beautiful and the families playing in the snow added a lively touch to the scene.

(Apologies for the painting image below overlapping on the right, but I wanted to show it big enough to be able to see the details. As usual you can click on the image for full view)

First snow, late afternoon at the park on the top of Ivy Avenue   9"x16"  oil on board

Below you can see my set up towards the end. When I left the light had completely gone:




Detail1

Detail2


The snow has now melted so I'm now already looking forward to spring with its longer and warmer days and its variety of beautiful greens!