Homemade pochade box!

In between two painting posts, I would like to share my sheer excitement about this little pochade box my partner's father kindly built for me! I've never been very keen on the original pochade boxes available in UK as most restrict you to a specific panel size. I got the guerilla pochade box from the US which I'm very pleased with but I was looking for a lighter option so here it is (tadaaa...):

This box is very light, slim and portable and will take any panels sizes (within reason). The bottom part is for paint mixing and the hooks on both sides can be removed so they don't smash the paint between sessions.

I've re-used my metallic piece from my guerilla pochade box to hold the painting and this can be adjusted to different heights. To hold the back/top of the painting there is some velcro that can be fixed on the board or for any painting taller than the box, there is a hook coming from behind.

Here is the box with a 12"x10" board...

The box has a tripod fixing and some extra wood has been added to strengthen the fixing:

Here is the hook that can grab the top of the painting or just the box itself for extra stability:

Can't wait to try it out and will let you know if it passes the test of my energetic brushstrokes...

ps: I just saw yesterday a similar post from fellow painter Tim King who has built some great pochade boxes so click here to have a look.

La chambre à couture de bonne-maman, Malèves - (My grandmother's sewing room in Malèves)

During my last visit in Belgium I paid a visit to my grandma Odette. She lives in the belgian coutryside in a lovely restored farm that is full of character and has an amazing garden. I did a painting of her garden on the spot (see my previous post here) but also took a few photographs of certain rooms for future painting references. I just finished this one that is my grandma's sewing room:

La chambre a couture de bonne-maman, Malèves
(My grandmother's sewing room in Malèves)
14"x18"    oil on board    

This - I have been told - is my grandma's favourite room; where she does her sewing activities (you can see her sewing machine under the protection cover behind the door alongside patterns and fabrics lying around), some of her writing, and where she has the best views over her sunny garden. I also have the memory, as I was only around 6, of her sitting at that desk doing a watercolour painting for me - and remember thinking "how cool is that??".

I started from the reference photograph and did this drawing to get the composition and values right:

The reference photograph

I also applied a photoshop filter to the picture to get a feel how it would look like as a painting and to simplify the information:

Detail

There are many reasons why I like to paint, and one of them is to be able to capture a landscape or place at a precise moment in time, like an emotional visual souvenir of what this place/room looks like today - afterall who knows what it will look like in 100 years? When I look at the painting I suddenly remember the smell of wood, fabric and dry flowers in the house, the sound of birds and wild pigeons in the garden and the sparkling light of the sun falling on all the little ceramic objects and glassware on the windowsill.

I will give this painting to my grandma for Christmas (at 89 she is still cooking the traditional turkey for the full family - around 35 people in total!) and I don't think I'm spoiling the surprise because, as cool as she can be, she is not familiar with the whole internet / blog world...(yet?)

Landscape in Herefordshire, October sunset

A couple of weeks ago my mum came from Belgium to visit me and we spent a few days together in Herefordshire to visit gardens and enjoy the cider festival (she is a garden and tourism journalist for various belgian magazines). I took my painting kit and managed to squeeze a little study one evening before we headed back to the hotel.

Landscape in Herefordshire, October sunset   10"x7"  oil on board

I was amazed by the beauty of the countryside there, which is very different to the landscapes around Bath.

detail

What caught my eye was the highlights and gradients of blue in the distant hills, and the touches of light in the foreground.

No, this is not my third hand taking the picture but my mum
who couldn't help covering this exclusive painting event like the good reporter she is!

That's me in the middle of the action

I took tons of photographs there which will make great painting material so that'll probably keep me busy in winter days...

Mackinac Island, Michigan

A few days ago, a friend of mine on Facebook posted his latest holiday pictures of Mackinac Island in Michigan, US. I've never been there and certainly have never painted there but I found his photographs beautiful and couldn't help asking him the permission to use them for painting studies. So here it is:

Mackinac Island, Michigan    12"x10"    oil on board

I love painting outside in plein air but I also love just losing track of time in my little studio, forgetting everything and just having fun with the first painting idea that comes to my mind - and this is exactly what this sort of painting is about.

The reference photograph © Keonne Rodriguez

Here is the painting in progress
with my computer showing the reference photograph

The Bath Prize preview night

I spent a great evening yesterday at the Bath Prize exhibition preview at the Octagon in Bath.
Here are the paintings I have on show:

Builders at lunchtime, Bond Street, Bath - 12”x10”

The Theatre Royal, Bath, Summer evening - 12”x20”

Boats on the Avon, Summer evening - 12”x10”

Reflections on the river, Bath - 12”x10”

The Guildhall, Bath, summer afternoon - 12”x12”

The Bath Artists Studio on a Saturday afternoon - 12”x10”

Although I didn't win an actual prize,  I was very glad to find out one of my painting (Builders at lunchtime) got the "Highly commended" mention! Great surprise!

Two of my paintings

Bring it on!

That's me (with a weird shadow on my face!)  with the painter Andrew Taylor 

 I was very pleased too with the way my paintings were displayed:

 

Plenty of people turned up

It was a great opportunity to meet other artists. I was very glad I managed to have a little chat with the amazing painter Peter Brown who was one of the judges. Andrew and I also got caught up a in big conversation with talented Watercolourist Bob Child only to realise we were the last people in the room!

Right at the end of the evening before we got kicked out!

The show is on at the Octagon, Bath until the 27th of October and all the paintings are for sale by auction (click here to access the page) finishing on the Friday 28th at 7pm. (click here for more details)

My biggest painting challenge so far...

Here is a painting I completed for a commission a few months ago. It was commissioned from a whole family to be a birthday present for their mother/grandmother. The brief was to have a painting of the whole family together on a Nord Sea beach in Belgium.

Une après midi à la mer du Nord    18"x14"   oil on board

I called it a challenge for many reasons: first I'm not particularly familiar with portraits/figures as 90% of my work is landscape. Secondly this was done from photograph and I've never met most of the people in the painting so it's was a challenge to include 5 adults, 4 kids, a dog and a horse (!) in the same painting and get them all right... Finally this particular scene as such never happened which means I didn't have one photograph to work from, but instead around 50 different photographs/portraits of everybody in various positions/lights/clothing so I had to come up with a suitable composition.

Here is how I did it:

Step1: composition
Before I could even dream of picking up my brushes, I had to come up with a concept, a composition that would enable me to display everybody in positions as natural as possible but still without showing anybody from behind. Being a Graphic Designer in my full time job, I thought I could make good use of my skills and do a photoshop montage using various pictures (some even from google for the background and objects), cutting out people and moving them around until I'm happy with it.

Photoshop composition

Step2: photoshop filter
To test the quality of the composition, get the essence of the light and structure and to erase all the montage imperfections, I applied an artistic filter in photoshop. That enabled me to get a feel if this would work or not as a painting and could see it going somewhere.

Photoshop artistic effects

Step3: sketch
Afterwards I did a quick sketch to place the characters properly.

First sketch

Step4: oil background
Then I started painting the background of the painting (that's the easy bit).

Background painting

Step5: sketch with grid
Then I did an other sketch of the outlines of the drawing and applied a grid to it.

Sketch with grid 

Step6: sketch and grid on the painting
I then traced the same grid on my painting to enable me to easily reproduce the drawing.

Paintting with grid and sketch

Step7: colour blocking
I then started to gradually apply the colours and shapes of the people (and animals!) but I had to keep in mind where the light was coming from and keep it unified as the photographs on the photoshop composition were all from different lighting/colour etc...

Building up the figures

Step8: painting the faces
The trickiest part was probably to get all the faces right and make them recognisable. I kept referring to various pictures on my laptop  while painting to try to get the correct expressions and features.

Adding details with the photo references

I wanted to only suggest the faces but still get them clear enough to be identifiable.

Detail 

Step6: final touches
Here is the final painting. I added various objects and tried to unify the shadows and light effect.

The final painting

The family was  really happy with it (what a relief!) and I've just heard that the mother/grandmother was really happy too and moved when she received it. I've been told, when she received it, she kept repeating "I love it, I love it, it's beautiful."

So, it was a tough challenge but I'm so glad I did it!

My Grandma's garden

A couple of weeks ago I was in Belgium to spend some time with my family and I took a small oil painting kit and a couple of boards with me just in case. I was glad I did because I managed to do a quick study of my grandma's garden while I was paying her a visit. I need to say first that her garden is not any garden; it has been beautifully maintained and cherished over the years and won some local awards too! But then my Grandma is not any Grandma either. She is the most enthusiastic and energetic person I know and she is still out and about gardening and cutting the lawn at almost 90 years old! She is also a talented writer, artist and incredible pianist. What I call an inspirational person!

Here is the study I did:

My Grandma's garden, Malèves     10"x12"   oil on board

I painted this from the living room and had the french windows wide open:

I set up on the living room carpet and as I forgot my palette in UK, I borrowed one my Grandma's tray. (I promise I cleaned it afterwards and didn't stain the carpet!)

That's me with my painting smock. I'm aware I look rather ridiculous but it enables me to wear it over my clothes without having to change. So it's convenience before style here!

Here is my grandma, comfortably wrapped up who had been watching me paint with affection whispering several "oh" and "ha" here and there as I was gradually suggesting her plants and flowers in the painting. She was very happy with it so I'm glad it will turn into a nice souvenir.

Calm waters, summer evening

Here is a small painting of the River Avon on a summer evening, just a couple of minutes walk from my flat.

Calm waters, summer evening   10"x8"   oil on board

This has been done from a photograph I took a few weeks ago as I was looking for a spot to paint. This is the view from the bridge and I almost painted this on the spot but changed my mind at the last minute as there were too many people crossing that bridge and I was too much on the way. I decided to take a picture and paint it back in the studio and went on to paint a quieter place that day that you might have seen on one of my previous posts (click here to see the post).

The photograph reference

As you will probably notice on the photograph above, I decided not to include the metallic structure in the distance, not because some might consider it as ugly (I actually quite like this local landmark) but simply because I felt like doing a painting that would be just about water and reflections and didn't want anything to steal the show. On a other day, I probably would have included it but not this time.

On a other note, I'm delighted to announce that I have 6 paintings selected for the Bath Prize 2011 out of the 8 I entered. The show will start in a few weeks time and I'll post more info soon about this but meanwhile feel free to check out my entries page here.